Sandrine Dickel

Amalgam

Inspired by wintery landscape and emptiness I yearn for more abstraction and disorder
Oil on cartridge paper 24″x34″ (60x85cm)

Fragments

Still working on my landscapes through the body.
Fragmentation of reality and transparence
Ink, oil painting on canevas and paper (medium 50x50cm and large format 60x90cm)

Long process to the painting, collages, landscapes and bodies
Mixed media on paper ink , oil paint and magazines …

After the long Canadian winter

All through winter I painted a lot, exploring new textures and colours. I did a lot of sketches inspired by Iris (https://haeussler.ca/). Winter landscapes appealed to me and I searched how to give them a presence in my paintings through transparency, fragmentation and distorsion.

Black ink, oil pastel and oil on cartridge paper various sizes and one canevas “upside down on a chair” 22×28 (55x 71 cm).

Series

From a drawing to a painting, about the process… Charcoal on paper, ink on paper, oil on cardboard and plastic paper

Sketching in the blink

Sketching this morning with a wonderful model in Iris ‘s class (Iris Häussler – TSA https://tsa-art.com/faculty-staff/iris-Haeussler/). Ink, walnut stain and water color on sketchbook (21x30cm), some pages with previous image transfers.

New painting

I am painting a lot those days but not really ready to show… process is appealing but with no endings yet…
Oil painting on an old piece of wood from London… 21x52cm

Sample

I have some paintings in progress full of textures and colours not yet finished …
(Oil paintings 22×28” -55×71 cm- on canevas)

Amazing model

Back to “life drawing session” last evening in TSA, the model was very good and I tested different medias (charcoal, pastel, white acrylic paint, ink on paper) I added 3 drawings I made with the same model but in Martha Eleen’s course “figure in the context” .(https://tsa-art.com/faculty-staff/martha-eleen/)